ultraphat outstanding two track vinyl, acidic infected techno at it best

absolute floor banger, two remixes of the famous hellfish vs. producer - daft cant track. with on the a side a vicious hellfish swearing academy remix and on the b side a fast relentless remix by the speed freak. absolutely late night dancefloor material.

cool new ratio? with a surprise doc martin remix...!
about one year ago melon met two old friends from amsterdam lying on the streets of berlin who gave him an old fashion tape. out of respect of his (now homeless junkies) friends he borrowed an old tape deck and gave it a listen. he really liked the track but unfortunately he never found his friends again when he went out looking for them. after playing it for months and getting massive feedback the decision has been made to put it out and complimented with two fantastic remixes by california house legend doc martin & newcomer tom ruijg from amsterdam, its now available for everybody. p.s. guys i owe you a fix!

deetron and ripperton have teamed up under their newly created roots panorama moniker for a release on the french label versatile records. the amazing >threee ep< blurs the lines between disco, house and techno … each of the two producers delivers us his vision of the track, between deep house and disco for ripperton. about deetron, its the house / techno way where he takes on. but dont be mistaken, deetron & ripperton join themselves on the dance floor place.

our 60th release is a special one! sibling rivalry ep is a co-production between brothers and co-owners of sleaze records, hans bouffmyhre and lex gorrie. this is also to be the very first 12 inch single vinyl release by sleaze, backed up with two huge remixes by techno veterans alex bau and samuel l session!

* missed flight* sees two of drumcodes most prominent artists, cari lekebusch and joseph capriati, team up to deliver a 2 track vinyl ep of essential modern techno.
while lekebusch is a veteran, joseph capriati is part of the upsurge of new talent who have been grabbing increasingly intense attention over the past few years. the pairing of a prodigious new talent (somewhat new – capriati has developed quite a catalogue for an artist in his early twenties) with someone of lekebuschs standing is always an enticing prospect so >missed flight< looks set to turn heads from its billing alone. >missed flight< the track comes on like the perfect theme to the arrival of autumn. the tones are moody and the groove is linear, penetrating and eerily appointed. a kubrick-esque breakdown of pulses and space is the only thing that breaks the momentum and adds a deliciously creepy characteristic to proceedings. track two, >napoli 4am<, balances out its darker tinged predecessor with a shuffling 909 funk and playful groove combination that pairs up with subtly delayed hits deep fm synth work brilliantly.

possibly the biggest release on off in 2011 so far! off 26 introduces two new talents to the label: berlin-based friends daniel dexter and nhan solo. they deliver >our thang<, a dead-funky discofied summer tune, based on samples which all lovers of 90ies hiphop will dearly remember. on the flip side, labelowner andre crom & martin dawson deliver a deeper, more linear interpretation, based around a mighty bassline and an epic slowdown in the main break. second remix comes from luca lozano & sacha robotti, who score with a raw and toolish groove, adding further elements of the sampled song and additional sweet vocals.

mos ferry release #57 is a vinyl re-release of two true classics from the label catalogue. dapayk & padbergs >island< is a special result of a collaboration with the american singer and producer caro. the original track came out in 2007 on their second album >black beauty<. but the choice for this record is the >swimming circles remix< by the parisian dj and producer duo noze (of circus company and get physical fame). originally released on the b side of >black beauty rmxs pt.2< the remix developed into a prominent long runner for the artists and the label. in 2005 >emergency< by dapayk & midnight marked the birth of mos ferrys first sublabel fenou. the 10inch record was released as a limited edition of 1.000 copies, each stamped by hand with a consecutive number. this first and only edition is out of stock for years now and if you are lucky you can buy a rare copy on discogs. reason enough to bring this track on a new mos ferry vinyl release.

special collectors edition on limited red transparent, smokey marbled vinyl! two powerful tracks by dj hi-shock, backed up with 2 huge remixes by mike humphries and psi room.

only available at decks.de exklusive repress big!! hungarian born jay is one of the fastest developing new generation producers around. an artist to watch. specially for bitten hes produced two tech-house tracks, both >the b-groove< and >to beat or not to beat< rock like crazy! for the techno lovers we added a paul ritch remix which speaks for itself!

russia is a cold country, but it seems that volta cab has created an underworld in his hometown, where he creates, creates and dont stop creating dance music with a warm, acoustic and timeless point of view. konstantyn gives us for this fourth release, three original tunes where acoustic are mixed with synthetics as no one ever had done and gives us details that only come to those music lovers who are never satisfied with a simple rhythm. this time the fiakun boys have two pure elite remixers, such as daniel bortz and ene! which they have remixed >be madly in my love< with their own perspective and initiative.

this time we present you with 3 new names on the labels roster. quell has already been causing waves this year with releases on esteemed imprints like ibadan, 8 bit and these days amongst others. his track >real people< has been a favourite with us since quell sent it out a few months back. steady and with a very pumpy bass, the track builds a very sensual mood reminiscent of the music played at the sound factory back in the days. jack union is a side project from label owner alex tsotsos for his retro sounding house productions. >you can make it< is exactly that. chunky drums and an oldschool sounding organ set the theme for a playful and heavy classic house track. on the flip, we introduce two long time friends the square room heroes. >now is the time< combines modern sound aesthetics with a smokey voice urging you to release the freak. from claap with love

the topic of >salome< fits the two producers kadebostan and laolu from switzerland perfectly. just listen to their prior releases on freude am tanzen, fenou or clap your hands. the melodies sway back and forth - dreamy and full of peace. the rhythm group plays along and only the most necessary things. and even though the vocal phrases retain their own character, they blend into this musical structure as if they were made for these tracks. the a and the b face show a masterly crafted arrangement. it would be a mistake not to listen to the whole, as one would miss the feeling to let yourself go. as usual, the lovingly designed 10inch record is a limited edition and numbered by hand

gabe catanzaro is a kind of -king of italo disco made in usa-. after the first appearance on international deejay gigolo in 2000, he has reached the swiss labels mental groove and viking music with unforgetable gems like memories and ex-girlfriend . later he has released the amazing i can still remember on john selway s label memory boy, and also a full lenght on laboraudio called (la febbre dell italo disco) (italo disco s fever, translated from italian language). finally, after some years of break and a couple of remixes for dj gio mc-505, he come back with a ep full of italo disco and synth pop references. essential for who love the sound of the 80s.
played and supported by: ali renault, flemming dalum, casionova, fred ventura, keen k, nick anthony simoncino, cute heels, discodromo, the model, snuff crew, bottin, ulysses, paul mogg, sare havlicek, dr. motte, flashworx, cosmo vitelli, nick chacona, shawn mac, walter jones, david carretta and many more.

nice price deal !!! strong gymnastic house tunes brought to you straight from the gym. pumping iron by incredible james braun (part of the tartelet records family from copenhagen) and scott aka daniel brandt & jan brauer (two thirds of brandt brauer frick). >606 n rock n roll< will also be released as an orchestral re-interpretation on the upcoming brandt brauer frick ensemble album on !k7 in ocotober 2011

our favorite usa artist >strategy< finally returned with two excellent alternative house tracks!! a side, >the fixer<is unique mixture of dubby house and kind of italo disco sound. if you like the music of caribous daphni or four tet, you will like this song. b side, >another rain< is like a kraut rock oriented house meets thomas fehlmann. its for the fan of four tet or prins thomas or lo soul.

the strut label returns with a brand new vinyl edition of one of the imprints most in-demand series, disco not disco, exploring original anthems and rarities from the world of reactionary 1970s post-punk and leftfield disco.
with the original two compilations released at the turn of the decade as a new wave of bands like the rapture and lcd soundsystem drew on the musics influence, disco not disco has since been adopted in its own right as a term to describe a whole genre. the compilation is more timely than ever in 2011 as a reference point for a burgeoning mainstream scene.
the new edition moves from new york classics by konk and bill laswells material to early detroit machine music, belgian new beat and a healthy dose of uk originals from shriekback, quando quango and more on seminal labels like y and factory. watch out too for rare gems from unexpected sources including japanese electronic pioneers yellow magic orchestra and 70s prog collective isotope.
disco not disco is packaged in a deluxe 2lp gatefold with featuring sleeve notes by bill brewster, author of >last night a dj saved my life<, extensive track by track notes and rare photos.

due june 20th. two tracks of urban psychedelia from the heart of l.a.
beaches of the black sea is an ambitious chugger filled with flamenco guitars and synths. the b-side stealing the fire from heaven is a more experimental cut with neo-industrial rhythms and a rolling bassline. the past two releases have seen support from davude mancuso, francois k, and andrew weatherall to name just a few.

limited clear green vinyl copies!
clone royal oak continues its adventures in house music, and gerd is delivering some heat again! this is a rework of a track he did two year ago and somehow never finished until now! vocals are by dr. orion (aka olivierdaysoul). we think its a timeless track that will be played many years to come. on the flipside there is a stripped dub mix done by serge & tyrell.
includes code for free digital download of this release.

pirahnahead and diviniti, these names are synonymous with quality dance music. since 2004s >find a way< they have been two of dance musics most prolific songwriters (and even co-wrote a few songs for les nubians on their 2011 full length >nu revolution<). with each release they have provided powerful production, smooth vocals, angelic harmony, and overall, musical excellence. this time, the super collaborators return to the foreground with one of the best tracks of 2011, >(just like)a dream<. as the sixth release from whasdat music, this soothing track has been supported by the likes of vinny da vinci, ian friday, paris cesvette and neil pierce as well as phil asher (who included it on soul heavens miami sampler mix). also, joining in as remixers are charles webster and jose carretas. both have previously collaborated with pirahnahead & diviniti, topping charts on traxsource.com. (charles websters >learning to love me< and jose carretas >life in a box<). this release is a sure-fire floor rocker and a must have for any dj.

the mojuba sublabel a.r.t.less is very proud to present the debut album by detroit techno veteran martin bonds aka reel by real. after 2010s retrospective of his most seminal work including some collaborations with juan atkins and anthony shake shakir, these are the first new tracks under his reel by real moniker since almost two decades and it seems like it could have never been a better timing for it than now! these nine new pieces of music are showing their unique fresh colours of detroit techno in a way they could have been only created by someone like marty bonds who is always striving to find his very own way in musical creativity. this album takes you on a great multifaceted journey through one of americas definitive music capitals and the birthplace of techno narrated by one of its very own musicians and a true ambassador of its soundtrack! to support the scene of authentic detroit artists the cover illustration for this album was created by abdul haqq from third earth visual arts who is still (after more than 20 years) giving detroit techno a visual face with his artworks for the likes of underground resistance, transmat, red planet just to name a few! enjoy the resurrection of reel by real with this very special debut album

the black void of space ep 00/2 is the second 12 inch from resoes debut album. it consists of two tracks from the album and a remix by no other than don williams of mojuba / wandering & a.r.t.less records. nachhall is a atmospheric track, but still aimed for the floor. the metallic chords and lushfull strings builds up slowly through the track and ends in a pure techno monster like the old school sound of detroit. dubcuttin is resoes expression of a dubstep track, with a more techno kind of edge to it, which goes perfect with early releases of a made up sound / 2562 and martyn. don williams remix is a straight detroit inspired track, with hard stabby chords and filtered fxs that for sure will kill your ears on a proper pa system. if you like deep dub with a twist of detroit, you must check this out.....!

its been two years since pawas gupta contributed an enchanting remix on sirions first vinyl release. constant communication and cooperation lead to this all in all accomplished project called >huis huis ep<. pawas productions start off smooth and impress with delightful elements and perpetual dynamic. the development of each track is rarely predictable. tempting the act of prolonged anticipation is a delicate one and leads further and further into remote realms. carried into the sec repetitive parts by finely tuned synth-boosts makes us realize the force briefly before being caught up in the hypnotic sounds again. propelling deep house with a pinch of funk and a touch of detroit - the classic yet brilliant pawas style! moon harbours chris lattner needs no long introductions. releases on nrk, einmaleins, fear of flying and luna records speak for themselves, are proof of a successful and active time. the dry yet truly ideal base frame for subtle but succinct modules for this remix is its effective substance. the static sub bass, fulminate and with an enormous thrust, is reminiscent of the miami bass age - virtuous modulations, the very complexion of mr lattner. he remains true to himself, we like!

clone royal oak continues its adventures in house music, and gerd is delivering some heat again! this is a rework of a track he did two year ago and somehow never finished until now! vocals are by dr. orion (aka olivierdaysoul). we think its a timeless track that will be played many years to come. on the flipside there is a stripped dub mix done by serge & tyrell.
includes code for free digital download of this release.

coming off the heels of the kitano ep, we decided to keep things right in the bustling metropolis of deepness known as melbourne, australia for our next undertones release. after successful outings on both 3rd strike and dirt crew, it just made perfect sense for us to join musical forces with the tortoise. tortoise laces us with two vocally charged joints that set the tone just right. we couldn t think of a better way to put our spin on this release than to feature the extremely talented duo known as genius of time on not one but two remixes .. one for each track! it s definitely a first for us and we couldn t be anymore pleased with how everything shook out.

john daly continues his search for the beauty on house music. his own one track records label delivers number 6. and its another stunning release with an amazing emotive house track in the vein of larry heard and some early chicago masters that been exploring the more fragile side of house music. john delivers tracks that are emotive yet strong and even some jacking vibes in it and a fierce bassline that keeps the pressure on. the chant comes in two parts and are among the most beautiful tracks we ve heard in a while... part 1 is the original version with full on vocal chants, where part two is a sort of dub mix with amazing melodies. another stunner by mr john daly.

for this first brandt brauer frick remix ep, we asked two very special and hard-to-catch producers to give their own versions of the bands music. ladies and gentleman, welcome pepe bradock and leonel castillo!

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

germany based producer kassem mosse releases his second ep for nonplus, entitled >enoha<. the four track release follows on from last years >we speak to those/hi res< 12 inch for the label, which is run by uk duo instra:mental. this year mosse – real name gunnar wendel – has already released two solo eps, including the workshop 12 and a limited 7 inch for mikrodisco which included the brilliant dj koze-esque mindfuck house track >7am<.

two tracks by our berlin based twisted sister, mary velo. you can expect techno at its rawest, and a truly surprising remix by delsin wonderboy conforce.
support by: alex flatner, angel molina, marcel fengler, florian meindl, markus suckut, par grindvik, stanny franssen, tomaz, danny tenaglia, deg and many more!

1 track each from area, hakim murphy, and murdoc, + bonus remix. the 2 on a lean more toward the stoner side, the b is all murdoc focusing more on the beats. the past year has seen area dropping solo records for francois ks wave music, anton zaps ethereal sound, and brendon moellers steadfast recordings. with songs described as >guaranteed to create a special mood in a club< (resident advisor) and >warm, shoegaze-dreamy but floor-ready pop< (little white earbuds), areas heady productions tread the line between functionality and abstraction. hakim is a producer/dj from the chicagoland area whos musical style ranges from house to techno. hakims journey begin as a dancer in chicago as a lot of his musical influences come from larry heard, robert armani, dance mania, relief, and cajual records. as a chicago footwork dancer, hakim gradually became inspired by the music and began playing records in 1996. since then hakim has ventured into production work and eventually founded two records labels in 2008: machining dreams, and synapsis records with avondale music society. hakims discography includes releases on metamorphic, planet detroit, and stolen kisses. murdoc is a dj/producer and current member of the condiment dj-collective, hosting events featuring the likes of acid circus, sammy dee (perlon), and mark henning.

terpsichore welcomes the florian muller project with the marvellous >jam with it<. the funky live bass and the amazing deepness of its chords and vocals make this track a must for any deep connoisseur. florian created something special here! the oliverwho factory blessed us with two splendid remixes: hear their vocals and scream! last but not least, what would be a terpsichore release without jefferson velazquezs touch? deep as always!

name in lights is a stockholm based trio made up of long time friends emir krkic, filip johnsson & david irigoyen. the name in lights sound is easily recognized, with influences from disco, acid & chicago house as well as kraut, punk & rock music. together with erik wikström, name in lights run scando-disco label feed, where they also released their first ep eld och lågor. for uts name in lights deliver two massive discotized house tracks, touch the sky (e track) & disco touchdown. the ep also features remixes from dr dunks & eddie mars which ties it all up into a must have 12 inch

after 2 years of throwing events in new york, stranjjur nycs next logical step was to move on to a more international platform. after introducing artists such as milton jackson, carlo lio, spencer parker, manik, till von sein, alex niggemann, pezzner and many others to the big apple, stranjjurs kev obrien (alongside label partner andy inelli) have decided to carry on the same a&r principals that made the events a success over to stranjjurs newest venture: a fully-fledged record label. the new brooklyn-based label has decided to hit the ground running with its debut ep coming from hot italian duo, lula circus. having also just recently been signed to one of americas hottest labels, culprit, its safe to say that the lula boys (danilo and sergio) are on the cusp of becoming stars of the underground dance scene. the vinyl edition of the miami vices ep features two amazing original tunes from lula circus, including title track, miami vice, which takes aim at the dance floor with a full arsenal of heavy bass and a powerful disco-inspired hook that instantly grabs a hold of the soul and refuses to let go. ovum and hot natured wonder-kid, manik, delivers a highly addictive remix, by slicing the main hook up, while supporting it with an insanely groovy bass line. on the b-side is pumpin groovin moovin, a future-funk jam thats carried by a focused low-end groove and catchy vocals. the remix comes courtesy of freeranges (and recent crosstown rebels signee) pezzner, and its one of his biggest remixes ever. this one has been receiving lots of early promo hype, thanks in part to maya jane coles, who included it in her bbc radio essential mix earlier this month. mayas support has helped to create a global whirlwind of anticipation amongst house music aficionados for the release of this incredible ep. the time has finally come for stranjjur imprint to be born!

ltd 2011 repress !!one part of the famous three chairs crew marcellus pittman provides an excellent start for this new imprint with two slices of driving deep detroit house pure bliss!

the big idea! ahoy sarp yilmaz and sinan kaya. after several eps on various labels now release their debut on simple as that records. the two guys from the big metropolis of istanbul bring us here, two beads which make the sun rise. the two men schaeufler & zovsky (acker records, 3000°) and andre kronert (ostwind, night drive music) each control still in a wonderful remix. even more diversity on this record is thus ensured.

jonas saalbachs last journey to south of france has put him in a more mellow mood, this two summer tracks have distinctly organic grooves and atmospheric climaxes.

what do you call musicians like com truise? he seems easy enough to pin down—throw out some words like nostalgia, synth-wave, eighties, and electro-funk and you will scrape by—but to be truly insightful about his music is tough, because art that is so blatantly referencing certain things in a certain way while also making them weird and new and unique is confusing. how do you classify something that is so obviously both vintage and current but is too fun to call postmodern? awesome is an option. especially when it sounds like you are driving the knight rider car through thick clouds of nitrous oxide, like >fairlight<, the title track from truises new single, which previously appeared on an iso50 comp called dry waves and also has this jarring, falling-all-over-itself middle section that prevents you from trancing out too hard. >beta eyes<, the track that follows, is even more restless, with a drum pattern that is fidgety and clustered, kicks and snares fighting each other like two drum and bass heads arguing over an atari remote. >polyhurt<, a narcotic, almost ballad-like closer that inevitably leaves you thinking, >now, how the hell am i going to describe that to someone?< the vinyl exclusive cut >colorvision< could be truises most dancefloor friendly track yet.
limited to 500 units worldwide (200 in europe).

b-tracks, aka soren jahan & john barera release their debut ep on their new imprint. the two musicians and record collectors worked together to make >specialize<, a rolling house cut made for the dancefoor & road tested at their gigs. with >day to night<, they go deep with a warm and melodic tune that still makes you get up. their rough and ready production style continues to shine in house workout >jump on it<.
on the flip, >progress< is a relentless techno cut with a raw analog sound and a mind of its own. finishing off the record is >your love<, a climactic and synth driven track in the spirit of early electronic dance music.

after this years releases on mule electronic and smallville lawrence is back on coowned laid imprint with a real house music series- never as always. as a favorite in carsten josts cd-r box the main title rise seemed to be one of the magic deephouse tunes wether it was at the dial allnighter residency panorama bar, the laid nights at cookies berlin or some fancy hangout at the labelchiefs appartment. now for the first time only on vinyl never as always (pt.1) comes up with two dub versions by sten who hasnt shown up since ages.

new year deal - purveyors of maximal minimalism in bass music, crushington explore the mid-tempo soundworld of dubstep. inspired to step outside of their box by a face-melting new years eve performance from skream and benga, for the last two years, crushington have sonically sculpted their own, well-received take on dubstep. lacking a developed knowledge of the genre, their unaffected explorations into different tempos and grooves have caught ears everywhere, leading to dj support from n-type, jakes, emalkay, distance, seven, truth, bulletproof, datsick, excision, hatcha and headhunter. along the way, they have collaborated with, or remixed for black sun empire, spl, truth, optimus gryme and bulletproof. with high profile support and collaborations boiling over left right and centre and several boutique vinyl releases to their credit, dj bookings across new zealand and australia have come quickly and to lauded receptions. old school producers and djs from the era of vinyl and by ear engineering, their sonic fidelity has seen their crushington tunes described by the likes of antiserum as the perfect studio mixdown reference. to put it in simpler terms, crushingtons subwoofer rupturing arrangements are fast becoming a standard setter with in the international dubstep community, where things go next from here though, only time will tell.

one of the founding members of the ostgut ton family, marcel dettmann recorded his debut 12inch for the label alongside ben klock with >dawning< some five years ago. now after a string of highly praised releases, his debut album >dettmann<, and a handful of uncompromising records on his own mdr label, we arrive at this new ep for his home label. launching us into the space-race, >barrier< documents those tense moments of discovery as we reach into new territories. dettmanns unique textured sound design sets the scene before diving into >translation one< - a frantic, quivering and snaking snapshot into the kind of techno the producer stands for these days. metallic bass spins sideways, while ever-modulating percussion drives forward. the sinister sci-fi tones of >translation two< warble and jive in glorious syncopation as a systematic heavy kick and hat program works the bass frequencies and rhythmic zones. open and spacious, its meandering theme hangs deliciously between paranoia and positivity. in >planning< dettmann further explores his inclination for intricate, tripping synth patterns. a staggered, wonderfully immersive theme builds from delayed staccato notes in a classic analog sequence, underpinned by rumbling dub bass pressure

a true journey through sound, felipe venegas >i ching< pushes house music to extraordinary levels with its complex passage through sound. on the flip, >orisha chango< sees felipe utilize his skills to ignite the dance floor the as he delivers a powerful yet sensual cuban influenced track. a bounding rubbery bass line and velvet spoken vocals roll as the gods of the yoruba mythology are listed. as tightly sprung samples ricochet against each other, >orisha chango< reaches its high in the last two minutes, its production excellence throwing us around in rich texture.

after only just recently raising our glasses to our 50th upon you release, heres number 51 just waiting in the bleachers…so basically we are on our way to number 100. our italian friends re-up have rustled up this very promising release called >the new mood ep<. why the name ? i hear you ask. well these two tech-house experts have dug deep to give us a1 with its ecstatic drum rolls in >darkness< , a2 gives us the title track with its dubby-chordy kind of sound, like magically pulling the reins on an indian horse. >what else< they ask themselves on b1 while they gallop over the uy parcour to end this little journey with >so good< on b2.

part one. the first vinyl sampler from spencer parkers new album. this two track ep once again serves up a fine slice of house music. parker has really developed his own style of late and the spencer stamp is all over this release. purist house music for the purist vinyl lover. class!
with releases previously on rekids, buzzin fly and tsuba spencer is fast becoming an iconic producer and this chunky piece of vinyl is another one to add to the list of must haves.

supported by: tim toh, oskar offermann & edward, shaddy foul&sunk, boris hotton, andy weid, hunee,.. frank is back for another round. this time its frank music head poncho johannes delivering two heavy tracks for your dancefloor. we got a classic double-a side, personally stamped in a basement and limited as sunny days last summer. first there is >rough rough raw< ... well its rough and its rough and its sort of raw. dubby vocoders, 909, rave breaks, you name it! second is -way out of sight- which got a fuzzy bassline, little trance moments for maximum party pleasure and some more dirtness in between. this is most probably slammin muscle house for skinny jeans boys. to sum things up: basement is not a crime! our good friend tim says: a few days ago i listened to an old cassette from the year 2000. >roughroughraw< really contains the spirit of this time. the right tune to start taking some >e<s again, smoking a joint and gettin nuts on a tiny dirty dancefloor. underground ish for sure... and same for >way out of sight< especially the first chord of that synth, which reminds me on michael jacksons >thriller<. thank you and turn that swagger on!

three more disco throbbers courtesy of em vee aka marcel vogel and the always on-point lumberjacks in hell imprint. the entirety of the a-side is given over to jam >body heat<, a phat, james brown sampling slice of shoulder thrusting funk that you may have already heard in the more discerning discotheques across europe. wisely, the two b-side cuts offer something completely different, with the loose drums and squealing brass of gospel-sampling >the shouting< a perfect counterpoint to the uptempo disco-strut of >mouzon<.

for this new official ré-edition on p&d recordings, we are really proud to release two classic tracks from big daddy aka rick wade. >night station< was on rick wade album >dark ascencion< in 2004, incredible deep & haunting but banging as well….one for the oldschool lovers of house music. this track was on cassys compilation >panorama bar 01< on ostgut ton & recently on sebo k compilation for watergate…anyway hard to find at this days & sell @ 50€ ! for the b side, 2a.m detroit is one of the jazzy deepness by big daddy was released on trackmode in 1998 ! a memory of traffic ! real music for real people

early support: hell, josh wink, ame, laurent garnier, raresh, dixon, jimpster, terry francis, ... ribn return to the mild pitch camp with two fresh tracks and a stunning remix by the revenge. >no place< is a deep diving funky house jam, that combines fragile soul samples and buzzing electronics, reminiscent of old playhouse or matthew herbert records. on remix duties here is no other than graeme clark aka the revenge. the scottish man-of-the-moment transforms the original into a straight and sizzling club roller that makes great use of the original samples and strips them down for maximum dancefloor impact. turn over to the flip side and ribn take it back to their dubbed-out deep techno trademark sound on the epic >save me<. punchy beats, driving chords and bright synth carpets make this track a prime example of what youve missed if you havent had a chance to check out the duo live yet